Filipino Writers
Our famous Filipino writers who have touched
the hearts and minds of many Filipinos; whose literary works have given
freedom, honor and rich heritage to the nation.
Famous
Filipino Writers are few and far between. But there are a lot of great
Philippine authors, they just need to be discovered and read. Below are those
who managed to break the barrier and imprint themselves into Philippine
culture. Although some have passed on leaving their legacy, others are still
around (some even new) hoping to match the their accomplishments.
The Contemporary Period
The
flowering of Philippine literature in the various languages continue especially
with the appearance of new publications after the Martial Law years and the
resurgence of committed literature in the 1960s and the 1970s.
Filipino
writers continue to write poetry, short stories, novellas, novels and essays
whether these are socially committed, gender/ethnic related or are personal in
intention or not.
Of
course the Filipino writer has become more conscious of his art with the
proliferation of writers workshops here and abroad and the bulk of literature
available to him via the mass media including the internet. The various
literary awards such as the Don Carlos Palanca Memorial Awards for Literature,
the Philippines Free Press, Philippine Graphic, Home Life and Panorama literary
awards encourage him to compete with his peers and hope that his creative
efforts will be rewarded in the long run.
With
the new requirement by the Commission on Higher Education of teaching of
Philippine Literature in all tertiary schools in the country emphasizing the
teaching of the vernacular literature or literatures of the regions, the
audience for Filipino writers is virtually assured. And, perhaps, a national
literature finding its niche among the literatures of the world will not be far
behind.
LUALHATI BAUTISTA
Lualhati Bautista is one of the foremost Filipino female novelists in the history of contemporary Philippine Literature. Her novels include, “Dekada ’70 (Decade ’70)”, “Bata, Bata, Pa’no Ka Ginawa? (Child, Child… How were you made?”, and “‘GAPĂ” (short name for Olongapo, Philippines)”.
In addition to being a novelist, Lualhati Bautista is also a movie and television screenwriter and a short story writer. Her first screenplay was Sakada (Seasonal Sugarcane Workers), a story written in 1975 that exposed the plight of Filipino peasants. Bautista has received recognition from the Philippines’ Don Carlos Palanca Memorial Awards for Literature and the Surian ng Wikang Pambansa in 1987. Her award-winning screenplays include Bulaklak sa City Jail (A Flower in City Jail) (1984), Kung Mahawi Man ang Ulap (If The Clouds are Parted) (1984), Sex Object (1985). For screenplay writing, she has received recognition from the Metro Manila Film Festival (best story-best screenplay), Film Academy Awards (best story-best screenplay), Star Awards (best screenplay), FAMAS (finalist for best screenplay), and URIAN awards. Two of her short stories have also won the Carlos Palanca Memorial Awards for Literature, Tatlong Kuwento ng Buhay ni Julian Candelabra (Three Stories in the Life of Julian Candelabra), first prize, 1982; and Buwan, Buwan, Hulugan mo Ako ng Sundang (Moon, Moon, Drop Me a Sword), third prize, 1983. Bautista also authored the television dramas Daga sa Timba ng Tubig (The Mouse in the Bucket of Water) (1975) and Isang Kabanata sa Libro ng Buhay ni Leilani Cruzaldo (A Chapter in the Book of Life of Leilani Cruzaldo) (1987). The latter won best drama story for television from the Catholic Mass Media Awards.
Bautista was honored by the Ateneo Library of Women’s Writings on March 10, 2004 during the 8th Annual Lecture on Vernacular Literature by Women. In 2005, the Feminist Centennial Film Festival presented her with a recognition award for her outstanding achievement in screenplay writing. In 2006, she was recipient of the Diwata Award for best writer by the 16th International Women’s Film Festival of the UP Film Center.
She is also the only Filipino included in a book on foremost International Women Writers published in Japan, 1991.
Walang komento:
Mag-post ng isang Komento